2004 National Open Framing Championship
The Cameo
Primary Purpose For
Project:
Solution:
Design Concept: The raised carving sets atop a light umber translucent substrate which, when backlighted, lends a richer look to the broach. What might best be described as a “bridge mount” was developed in order to capitalize upon this unique feature allowing ambient light to sublight the subject, (more dramatically effective when illuminated under track lighting). This was accomplished using heat formed acrylic strips for the purpose of creating a mid-air mount. The deep bevel wrapped liner assists in reflecting light across the back and underneath the cameo which is sewn through the clasp to the surface of a reversed beveled black suede oval opening. The wrapped vanilla oval provides a soft, feminine aperture for the lady with sufficient quiet space before transitioning to the weave. The hand-woven struts introduce a manipulative design component subliminally compelling the viewer to become actively involved in the framework. This is accomplished by continually redirecting the viewer’s eye to the cameo. The weave should also lend a crafted and textured feel to the package in order to compliment the quality and delicate nature of the subject. The spokes are interwoven and interlocked at all junctions serving to establish and maintain a sense of unity and cohesiveness that is not lost while the viewer explores the subject and all peripheral components of the framework individually. The seven degree declination of the mount is designed to present the broach in a gentle, cradling support, in order to eliminate any feeling of rigidity or tension that might have otherwise been transmitted should the spokes have maintained the same plane as the wrapped liner surfaces. If the project was successful, the use of textures, dimensional variations, shadows, geometric juxtaposition, simplicity of frame and monochromatic presentation, while initially presenting the cameo, should ultimately all work together to create a singular piece of art. |
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